Okay, I realize I just posted some reviews last night, but shut up, listen: for the first time in LITERALLY YEARS, I have no pending reviews that still need to be written. My shit is CAUGHT. UP. I couldn't resist the temptation to empty the entire queue.
Bonus Level: Firewatch
A story game in the "walking simulator" genre.
This was immaculately produced and very elegant, but I didn't really emotionally connect with it.
Well. Until the very end. It turns out there WAS a story in here that I cared about... it's just that the two main characters had very little to do with it.
Anyway, for all that this left me two-thirds cold, it did some really cool stuff. The way you get to choose Henry's backstory at the beginning is clever, even though it still didn't result in a character I was invested in. The radio controls were VERY clever, pretty much the only time a dialogue system has let me walk and chew gum at the same time. I liked the tactile map and compass system, and the feel of navigating the world was very good. (I love the way Henry grabs the platform as he swings down the stairs.) And... it's a first-person walker where I can see my character's feet??? Unprecedented. :O
Worth a play if you see it on sale, but I didn't quite love it.
Bonus Level: Journey
I liked this a lot. It's really abstract, and kind of on the border between a bunch of genres — not quite a puzzler, not quite a walking simulator, not quite an action game. But it's a beautiful experience. It reminds me a bit of Monument Valley or Sword & Sworcery EP — I guess I'm into spare, strange journeys of atonement and sacrifice, or something.
Martha Wells — The Cloud Roads (reread)
I was having kind of a rough fall, so I was in the mood to re-read an old favorite.
Martha Wells — The Edge of Worlds
And then I remembered that there was a new novel in the series that I hadn't read yet! Score!!! Too bad it ends on a cliffhanger. 😫
These books rule, but I don't know that I've done a good job at selling people on them in the past. And the pretty-but-more-than-a-little-furry-ish cover art might raise some doubts about whether these are for you.
So here's what's up with these books: they're masterpieces of incredibly tense action plotting, with really satisfying character writing. Wells does romance really well, and here's one of the things about a significant romance in a story that's not primarily a romance novel: you can bring it to a satisfying resolution and then continue to follow those characters and show them working as a team and continuing to grow. IDK, is it just me or is that actually as rare as I think it is? Harriet and Lord Peter are the only pair coming immediately to mind here. Oh, and also the main pairing in this series is a somewhat open relationship and the protagonist is bi? And the gender power dynamics are really odd and interesting, for societal and biological reasons?
Also, the setting is the best kind of bonkers. This world has what seems like hundreds of mostly unrelated sentient species, crowded together and jostling for resources. The place is positively littered with the wreckage of past civilizations, and the current ones are all kind of hanging on by their teeth. A lot of effort is devoted to avoiding predators, and the main villains of the series are a particularly nasty breed of city-killers. There doesn't seem to be a definitive explanation for why things are like this, but the world has a LOT of weird shit in its past, and it's a magic-rich environment, so it's kind of a toss-up as to whether the development of intelligence was juiced somehow for forgotten reasons, or whether it's just an out-of-control natural arms race. A big part of the series's thematic interest is in the boundaries between people, animals, and monsters, and how those boundaries shift and squirm.
All right, I think that's about two thirds of what I dig about these. Hopefully you have a better idea of whether you'll be into this than you got from the cover art.