roadrunnertwice: Hagrid on his motorcycle, from Harry Potter and the Sorceror's Stone. (HarryPotter.Hagrid - Two wheels good)

I just today noticed that Kai Ashante Wilson's new thing came out while I wasn't looking, so I finally wrapped up this review of his last one.

Kai Ashante Wilson — Sorcerer of the Wildeeps

Feb 7, 2016

Believe the hype; this novella is both good and important. I mean, I hated the ending (everyone hates the ending [it's bullshit]), but still, this is a must-read if you're watching what's new in fantasy. Scrounge up $3 and a few hours for it.

This is shaped like an old-school sword and sorcery short (with subgenre-appropriate dudeliness values), but the whole thing is built in variations on modern AAVE (plus some flashes of global Black Englishes, per the internationality of the supporting cast of mercenaries).

Plus it's pretty gay. Plus it's taking place on the outskirts of an impressively bonkers techno-deistic mythos that seems like it might be in dialogue with some books I haven't read yet. But I think the language of it is the most bracing and exciting part, the part that seems to be the biggest deal. Not that building SF worlds in Black Englishes is new per se, insert shoutout to Midnight Robber here. But there's something going on here with secondary-world fantasy and the hidden conceit of translation that felt surprising and transformative.

So... there are various philosophical approaches you can take when doing secondary-world fantasy, but the founding text for most modern secondary-world fantasy in English is Lord of the Rings, and LOTR had an explicit conceit of translation. As in, all events took place in some other language, then were translated into modern English by a specific translator with strong opinions about who their readership was, what cultural parallels they could take advantage of, which literary predecessors would be invoked by particular diction choices, etc. (Cf. the appendices, where he talks about changing characters' names because their "real" ones had the wrong gender connotations in English's sound system.)

The translator was just as much a character as the characters, in other words. But the results got more attention than the process, and so Tolkien-derived fantasy has a major translator reuse problem, which carries over into a presumed-readership reuse problem.

Anyway, what happens to classically-inclined secondary-world fantasy when your default readership ISN'T British white people with an early 20th century worldview? When the references that constitute the translation are not their references? How does this new fantasy mutate and evolve? What can it do better than it ever used to be able to do?

I liked this book a lot.

roadrunnertwice: Protagonist of Buttercup Festival sitting at a campfire. (BF - Vast and solemn spaces)
A few weeks back, I finished part three of that loose mixtape series I've been working on:



Also, since Halloween is tomorrow, might as well re-link my old mix Horror Story, which I remain quite fond of.
roadrunnertwice: Wrecked bicyclist. Dialogue: "I am fucking broken." (NeverAsBad - Fucking broken)
I went to my first physical therapy appointment today!

One of my long-term aspirations is getting better at realizing when I need to ask for help, and I feel like this was at least a step in the right direction even though it took me two damn months to get the clue. Long story short, I fucked up my hip area on my right side back in August, when Ruth was teaching me to swim. (Which I meant to post about but can't remember if I ever did.) Pro-tip, don't try to kick full force the first time you use flippers, the resistance/acceleration curve is completely different and you might wreck your dumb ass.

Anyway, ever since then, I've had dull, aching pain in that right hip and thigh when I move them in formerly totally normal ways, and it's been dampening my enthusiasm for walking, running, and biking. I finally accepted on Tuesday that it wasn't going to go away on its own or with amateur trigger point massage, and remembered I had solid testimonials from multiple friends (who have my same insurance) for Pedal PT down on Clinton.

They got me in today, and I already feel a ton better. Turns out half of my pelvis was rotated forward. Guess that was a heck of a flipper kick.
roadrunnertwice: Young Marcie Grosvenor from Finder, asleep in a ward drawn from Finder trails. (Finder.Marcie - Wardings)

It's been a minute. Hey y'all, let's bookpost.

G. Bruce Boyer — True Style: The History & Principles of Classic Menswear

Sep 30

For whatever reason, I thought this was going to be a structured and comprehensive overview, but instead it's a wandering and loosely connected essay collection. But it was entertaining and mildly enlightening, so it's probably a better book than the one I was expecting.

Insert something here about the complications of coming to some kind of arrangement with "menswear" when one does not in any way consider oneself a “““man.””” I've needed to buy a respectable suit for years now, and I'm having a bastard of a time orienting myself. Most of the practical writing on the subject is coming from such a distant place that it's almost impossible for me to make use of it?? IDK, I'm at multiple disadvantages here and it's frustrating. My parents and relatives don't know how to dress, so I couldn't learn any of this from them, and since I'm an inconvenient size/shape (have literally never encountered a correctly fitting long-sleeve woven shirt), I'm gonna have to get something custom, which is a staggering expense and a ridiculously steep learning curve. If I'm going to invest all that money and effort, the result had better be something that I 💖fucking love,💖 and my Grumpiness About Masculinity is going to make that standard rather tougher to meet. BLEAH.

Good thing I live on the west coast and work in tech, huh? My habitat's aggressive informality gives me a bit of extra time to figure this all out. But I can already feel the next wedding or funeral breathing down my neck.

...This isn't really a book review, is it? I guess they never are. ¯\_(ツ)_/¯

Tamora Pierce — Protector of the Small: First Test, Page, Squire, and Lady Knight

Mar 20 (book 1) through Apr. 22 (book 4)

It turns out that Ruth and I both grew up with Tamora Pierce novels! But since she's a bit younger than me, she had a wider selection at that age when they're the best thing ever. So I read and loved the original Lioness quartet and The Immortals, but by the time this series came out, I was in high school and it was Very Important to not be reading books about 11-year-olds. You know the drill.

Anyway, I liked these a lot as an adult, and if I'd had them as a preteen I'd have been fucking apeshit over them. They're great! Ruth was right about them being much better than the prior two series; those were important and wonderful, but this is just a lot better crafted and more cohesive. An excellent heroic coming-of-age tale.

Raina Telgemeier — Smile (comics)

Oct 14

I've had a copy of this since forever, but never got around to reading it. It's good! It was Telgemeier's first major project, so it lacks some of the confidence and poise of her later work, but her voice and her art are already unmistakable.

Also, I'd almost forgotten this, but I'd read about half of this book before, when it was serialized in black and white on Girlamatic. What a weird time in comics history! And now, this week, Telgemeier is (checks) seven out of ten slots on the NYT paperback graphic books bestsellers. Good job, RT. (And also, as someone who attended a rural public school district, lemme take this chance to remind everyone to never underestimate the Scholastic book fair.)

roadrunnertwice: Parking lot stencil: "ALL TREES WILL BE TOWED," with tree glyph in "no" sign. (All trees will be towed)

Eh, what the heck. Smoke em if you got em, right?

Paul Bowles - The Sheltering Sky

Aug 19

This had some definite moments, most notably the part where the guy died of typhus (I've had fevers that sort of qualitatively resembled that, minus the threat to my life), but wow, the orientalist rape-a-palooza of that final section of the book can go to hell. (It was so unnecessary??? I think this would have been a favorable review if the book had just ended with Kit fleeing the city and nothing resolved.)

I can't remember what Max said when he loaned this to me, but we hung out a few weeks after I finished it and he filled in a bit of context about Bowles. The upshot is that this is a weird book written by a weird dude at a weird time, and it later had weird echoes through literary history (most notably having some kind of formative influence on the Beats).

Another fragment: Once I got my feet under me, I was reading this as a very very dark comedy. But thinking back, now I'm wondering whether that has anything to do with what Bowles' meant to write. Did Port read like a doomed clown in 1949? I... I think maybe he didn't?! But I really don't know. Lemme know if you have any insight.

Megan Whalen Turner - A Conspiracy of Kings

Sep 11

I didn't read this last year because Ruth packed all her books away for six months, but I remembered it right before a big backpacking trip and it was just what I wanted.

I mentioned before that these books are surprising. Have I mentioned yet how amazingly well constructed they are? The most appropriate word I can think of is "precise." Lots of little pieces in exactly the right spots.

They also have a very detailed world that's rendered with admirable restraint, which is an ethos I can always get down with in a tense sorta-fantasy novel. (Reminiscent of the economy and control of world-reveals in Sabriel.)

Brandon Graham - King City (comics)

Sep 15

This comic is completely outrageous. It is bananas. Graham is fusing '70s French SF comic bonkersness with '90s manga bonkersness, and the result is, like... basically any given page has something that can make you ask what the hell you're even looking at.

It has its flaws, most notably that the dudegaze quotient is higher than I usually prefer. And the characters are often a bit flat. But I still really enjoyed it. The art is a wonderfully satisfying combination of tossed-off panache and obsessive fiddly detail. The setting is, as I think I already said, utterly bananas. The dialogue is mostly serviceable but will sometimes surprise with an elegantly lazy kickflip. And the amount of visual imagination on display is just astounding. This is a very comicsy comic, in the best way.

roadrunnertwice: Rodney the Second Grade T-Ball Jockey displays helpful infographics. (BF.Rodney - Ass increases w/ T-ball^2)

Kelly Link - Get in Trouble (short stories)

Sep. 24

There's some excellent stuff in here, but after chewing for a bit, I think I have to say this isn't Link's best collection. (That's still Magic for Beginners.)

But I DO still highly recommend it. For one thing, it's got possibly her best story so far, "Valley of the Girls." (I'm serious, this story is mandatory.) For another, even Link's weaker stories are good.

It's also her most unified collection, in a way that's hard to pinpoint. Something about a commitment to characters always making the wrong decision. A persistent turn towards... not evil, but badness. Heroes you feel driven to root against.

Anyway, I'll re-read most of these on some rainy day. Probably starting with The Demon Lover as Halloween gets closer.

Brian K. Vaughan and Fiona Staples - Saga vol. 1 (comics)

Sep 13

Yeah, okay!! This is about as good as everyone says it is. I kind of find myself holding it at arms-length a bit; something about it encourages a bit of emotional distance, signals you to not let the characters get too close. But it's a heck of a ride, it spends twenty-dollar ideas where anyone else would spend a fiver, and the art is really honest-to-god first rate.

Aimee Bender - The Particular Sadness of Lemon Cake

Sep 26

This was great.

I'd forgotten Aimee Bender completely, and then remembered her suddenly when I was trying to figure out what to say about Uptalk. So I checked in at the library, and she'd put out another story collection and this novel while I hadn't been looking.

It's been almost exactly ten years since I read An Invisible Sign of My Own (I found a brief comment in my journal about it: November '06, which was before I started keeping this book log!) and I can only remember so much of it, but the impression I'm digging up is of an intriguing but wildly off-center novel that threatened to fly apart off its axis at any moment. This is more controlled and much improved, but it retains that sweet intensity of dissatisfaction and magic and discomfort and yearning. I'm glad I remembered Aimee Bender.

Carla Speed McNeil — Finder: Third World (comics)

February? January? I forgot to write this down b/c I was at my parents' house or something.

This went some really strange places, and I don't have anything useful to say about it now. Finder's great, you should read Finder!

Bonus level: Severed

Aug 2

This was on sale for its recent iOS release, and I loved Drinkbox's last game (Guacamelee), so I went for it.

The narrative is extremely spare; so spare that I'm kind of reconsidering putting it in the didread list (which I usually only do for story-focused games). But I still find myself thinking about it from time to time, so.

As for gameplay: Housemate saw me playing it for a few minutes and said "So... it's Wizardry meets Fruit Ninja?" Not wrong! It starts really simply, and in the first area I found myself wondering if there was actually a game here. But once the difficulty ramps up and you have to juggle three or four aggressive enemy timers at once, it's kind of a blast.

Not a lot of replay value, but a solid experience the first time through.

Kate Wilhelm - Storyteller

July 24

An occasionally interesting memoir of running the Clarion writers' workshop. I needed an undemanding nonfiction read, and this fit the bill.

There're some fragments of useful stuff in here about the practice of writing and workshopping fiction, but most of the focus is on anecdotes and institutional history.

roadrunnertwice: Sigourney Weaver with a trucker 'stache. (Sigourney Weaver with a trucker 'stache)

I got tired of trial-by-combat in Tumblr's wysiwyg thunderdome, so I'm just gonna post these here from now on. If you missed the earlier episodes: Part 1, Part 2, Part 3, Part 4, instructive diagram.

Okay, so first off, why are you bringing Bundy family fanfic into my home.

bundy

Where did you get that. Why is that even a thing. God dammit.

A shocking blitzkrieg of Kindle ads )

roadrunnertwice: Protagonist of Buttercup Festival sitting at a campfire. (BF - Vast and solemn spaces)

Hi, here's another mix tape!

This is kind of a sequel to Sunset Array Repairs, because I thought it would be cool to do another cycle of related mixes. IDK if there'll be a third, but anyway, here's a different corner of that li'l universe.

roadrunnertwice: Hagrid on his motorcycle, from Harry Potter and the Sorceror's Stone. (HarryPotter.Hagrid - Two wheels good)

Donna Tartt — The Secret History

January 4, 2016

Hahahahaha oh my god. This was great. I don't think I have anything non-dumb to say about it, though. It has a generous sprinkle of the ol’ Gatsby nature, so tune in if you like watching rich people swan-dive into dumpsters? It's tense and incredibly slick? It's out of sync with consensus chronology somehow? I DON'T KNOW. I just loved it.

Well, wait, I have this little fragment: it's God’s own perfect antidote to Pamela Dean's rendition of Tam Lin. (That's too obscure for a real book review [which luckily this isn't], but if you've read Dean's Tam you know exactly what I mean, even if you liked it in a way I couldn't.)

Rainbow Rowell — Fangirl

June 4

A li'l novel about being young and sucking.

A lot of this book is about struggling with anxiety and embarrassment, and kind of generally just being at a lower level of social development than everyone around you, and damn, for me that made it a tough read. But it's really well-constructed, it abjures easy outs, and it follows through on its swing. Good shit. 👌🏼

James Baldwin - The Fire Next Time

??? ??, ????

I distinctly remember reading this at an outdoor table at the La Bonita on Alberta Street during one of the last four summers, but apparently I never wrote it down. What the fuck.

Well, it's been long enough that I only have a vague impression of its content anymore. Also, I read it soon after Ta-Nehesi Coates'd done a periodic series of blog posts about Baldwin and his legacy, so I feel like what I'm most remembering is TNC's Baldwin rather than the undiluted substance.

It was a heady and confronting book, and quite short (two long essays), but that's almost all I remember of it — I retained the sensation, but I lost the précis. I'll have to revisit someday.

Various cartoonists - Wolfen Jump (comics)

Aug 9

This compilation is incredibly silly!! AFAICT the brief was "Whatever you want as long as WOLFMEN, also try and be at least slightly anime."

Most of the stories are like 8 pages tops, which isn't enough time to do... really... anything... story/character-wise, but at least 2/3 of them were good fun with high-quality high-personality art. If you're not sure whether to give a shit, read this and it should clear up everything.

Kimmy Walters - Uptalk (poetry)

Aug 9 (sorta)

Like with short stories, I don't read poetry collections whole or in order, and I always cache away fragments for winter.

Kimmy Walters writes the kind of poetry that characters in a Kelly Link story probably write. She is great. I also kind of want to name-check Aimee Bender here, too, but don't have a full theory of what the shared strand is. Pervasive surrealism combined with a method of playful transgression.

roadrunnertwice: MPLS, MN skyline at sundown.  (Minneapolis - Sunset in the city)

It's been a minute since I posted a playlist on here, so here's the latest:

(Or if the embed doesn't work, here's the Spotify link.)

This time it's on Spotify instead of regular files. I've had Spotify Premium for a few months, and I'm liking it a lot; now that the vile radio ads are gone, it's reminding me a lot of the brief glory days of Napster?! I didn't think I'd have that feeling again, of being able to just check out anything I was curious about without any particular rigamarole. Yeah, I know, I'm late to the party. (Also, Discover Weekly is pretty cool. I keep a bucket of interesting stuff that rolls through the weekly, if you wanna lurk on that.)

Anyway, this playlist: Uh, it's about trying to make ends meet and find time to party a little in a kind of broken-down sci-fi universe. I guess it's Dicebox x The Z Radiant crossover mixtape fanfic. Yeah, that's a thing now, welcome.

roadrunnertwice: Rebecca on treadmill. (Text: "She's a ROCKET SCIENTIST from the SOUTH POLE with FIFTY EXES?") (BitterGirl.Rebecca - Rocket scientist)

Andrea K. Höst — The Touchstone trilogy (re-read)

Feb 20-ish, 2016

These books still rule, and I needed some comfort-food re-reads.

This is where I remind you that the first book is free — kindle, smashwords — and you probably still haven't read these yet. Hint hint!

Bonus Level: Cardboard Computer — Kentucky Route Zero: Acts 1, 2 (replays), and 3, plus "Limits and Demonstrations," "The Entertainment," and "Here and There Along the Echo"

Mar 25, 2016

I think I've talked about Acts 1 and 2 here before. Act 3 is even better.

An interesting thing about KRZ: not only is it episodic, but it has a bunch of free, optional side-episodes that you can download as separate apps. These tend to be experimental and weird, but will drop crumbs of the main story from time to time. I highly recommend playing "The Entertainment" before starting Act 3: it's basically a metafictional overture for the whole act, in the form of a student play put on the ’70s by Carrington (the guy you can meet in act 1 who's seeking a venue for his new project). It's kind of a confrontational anti-game, with a hilariously shocking ending that turns out to be extremely relevant the instant the curtain rises on Act 3.

Anyway: this game isn't quite about what I thought it was about, and I'm excited for the next act.

Nicole Kornher-Stace — Archivist Wasp

April 5, 2016

A strange and intense post-apocalyptic ghost story.

I started out skeptical of this, but it won me over. It's kind of genre salad in a way that, now that I think of it, reminds me slightly of Smoketown. (Running in a very different direction with it.)

The metaphysics didn't quite make sense; it never really followed through on the tease that we'd find out what happened to the world; I remain very curious about why there are ghosts now when there didn't seem to be ghosts before. But ultimately it satisfied in the ways it needed to satisfy, and I kind of savor the lingering mysteries.

Andy Weir — The Martian

June 27

This was a really relaxing read, and it went down in a flash. A+ airplane or beach book; I quite enjoyed it.

"Relaxing????," you say. Well, it's technically a story about repeatedly almost dying in a frozen airless hellscape, sure, but in practice it reads like a series of really fun forum posts about how badly the HVAC system managed to fuck itself up (and our hero's legendarily janky patch job). About 4/5 of the book is the protagonist's log entries, which he only writes once he's tamed enough chaos to sit at a computer for an hour. So they're paradoxically calming!

The log entries are written in what I suspect is Weir's natural forum-post voice. He's not a very versatile writer (the 3rd-person alternate POV sections are all pretty weak), but he's very good at conversational technical explainers, so most of the book is A Real Fun Read If You Like That Sort of Thing (And I Do).

Bitter life-or-death struggle, presented as a series of really knotty engineering problems with clever "solutions" (including multiple off-label abuses of a plutonium-containing device). Good times.

roadrunnertwice: Protagonist of Buttercup Festival sitting at a campfire. (BF - Vast and solemn spaces)

Well, everything else in the world is kind of going nuts right now, so here's some book reviews if you need a brief distraction.

Ann Leckie — Ancillary Mercy

Jan 21, 2016

This is exactly what I was hoping for from the series finale — it re-engaged the conflicts that drove Justice, integrated Sword's complications into those, and generally brought things to a chaotic and satisfying close.

Please read this series, it rules.

Also! I really liked the two new significant characters, but even just saying their names would be too spoilery, ha. They are great, and I would read a sequel just about them horsing around and causing havoc.

Ursula K. LeGuin — The Tombs of Atuan

Feb 1, 2016

I read A Wizard of Earthsea ages ago, but never followed up on the sequels until now.

Wow, this was an entirely other thing, wasn't it? Wizard was a book that moved in effortless wire-fu leaps, treetop to treetop; Tombs drags and taunts.

I don't know if I can say I enjoyed it, per se. But I can see how it was the right and proper follow-up to Wizard. It was satisfying, regardless of whether it was fun.

Chad Orzel — How to Explain Relativity to Your Dog

Feb 6, 2016

I learned a lot from this and I'm glad I read it! The rhythm of the writing wasn't quite to my taste and the repeated dog comedy bits got old, but the physics explanations were top notch, helping make sense of some things I've never been able to grasp before. This is some of the highest quality popular science writing I've seen.

It was also timely, because they announced the first gravity wave detection at LIGO pretty much as soon as I finished it and I was totally equipped to understand the news. 🙌🏼

Anarket Wells - The Maker's Mask

Nov. something., 2015

I spent a lot of this book wondering whether I liked it. It's honestly a bit of a baffler! I think my answer is yes, but it's the first part of a duology, so maybe check back in a few months.

This takes place in a feudal society on a planet whose terraforming process might have been partially aborted. Political power is centered around beached starship hulks that now serve as habitats and fabrication plants. Maybe 1/5 of the story is about that global situation. The bulk is about feudal intrigues, teenagers getting WAY over their heads in ill-advised romantic entanglements, and swashbuckling.

Here's a thing I went WAY back and forth on: There are some genetically engineered intersex/nonbinary characters who are assigned the pronoun "it." NO, FUCKING, I KNOW, RIGHT? But I can't just shut it down for that, because:

  1. The story treats them with about as much human dignity as you generally get in a feudal swashbuckler. They're described in physically positive terms, they have their own agendas, etc. One of them is a very sympathetic character with some interesting history, the other's a psycho assassin, and that's about on-par with everybody else in the book.
  2. There's a bunch of societal prejudice against them, but it varies depending on where you are in the social ladder and which starship arcology you're in. So the dehumanization of "it" seems to come out of the society they're embedded in, not out of The Author Not Thinking For Five Seconds.
  3. The ones we see were all purposely engineered in what seems to be a fucked-up indentured servitude arrangement with one particular arcology that uses its fabber for advanced bio-engineering, so their bosses see them as more tools than people.

So...??????? IDK, it gave me a gross twinge every time but I do think it made sense in-universe.

Richard Stark - The Man With the Getaway Face

Dec. 30, 2015

More Parker! The Wave has been good to me, so I've got a stash of these waiting to be read.

This one happens between The Hunter and The Outfit, which surprised me because those seemed to be butted right up against each other with nothing particularly eventful in between. And yup, this book consisted of Parker attempting to evade the fallout from Hunter and failing back to status quo ante.

Which is fine, because that's not really the point of it: Parker is about process, not outcomes.

Richard Stark — The Mourner

Jan 29, 2016

More Parker! I'll just leave it at that. This was a pretty solid one. Uh... maybe a little more misogyny than usual? (These are crime novels from the '60s, so the level is always going to be pretty high.)

roadrunnertwice: The Protagonist communes with a crow. (BF - Corvid liasons)

Ok, I only have two books from last year left to review, so I went ahead and did a quick count. (I'm excluding shorts and video games here, even though I mix them into my posts.)

  • Male authors: 21
    • Re-reads: 5
    • Comics: 4
  • Female authors: 23
    • Re-reads: 4
    • Comics: 3

I can't remember if women have outnumbered men yet?? But my impression was that I was reading 2 to 1 in favor of women this year and it was actually about dead even, so that weird cognitive bias lives bravely on.

roadrunnertwice: Young Marcie Grosvenor from Finder, asleep in a ward drawn from Finder trails. (Finder.Marcie - Wardings)

Megan Whalen Turner — The Thief

June 13, 2015

Ruth said I'd probably like these, and she was right!

This is the first of a series, set in a fantasy world heavily based on ancient Greece. It's also very different from the rest of its series — it's narrated first-person (the rest are close-in third person), it's a fairly straight-ahead adventure story (the rest are knotty political thrillers), and it's written at a middle-grade level and published with middle-grade typesetting and cover design (the rest are definitely YA, and have a certain amount of shocking content even by modern YA standards).

When I finished this first book I was mildly pissed about the twist ending, but I took that back after thinking about it overnight. See, the story is strewn with weird inconsistencies and glitches in the narration; I had taken them as failures of writing that I was willing to gloss over and forgotten them, and then I got blindsided by the ending. But it turns out the inconsistencies aren't errors, and the ending isn't out of left field. It's just that the narrator is writing for a (fictional) audience who're already clued into the twist, and who either know him personally or at least are familiar with his position. He's having some ironic fun with his real readers, and the end only seemed like a twist because I'm a mutually-fictional outlander eavesdropping on a story I'm not involved in. It seemed offensively glib that first night, but by the second night it was just your buddy Eugenides up to his usual cheeky hijinks.

Megan Whalen Turner — The Queen of Attolia and The King of Attolia

June 21 and Aug 6, 2015

Let's pause for a manifesto. I don't really have rules for the didread series, but I do have some guidelines. To wit:

  • Write something about all the books I read... eventually.
  • Avoid summarizing. It's a bore.
  • If I know someone else who would like this, try to say something that would make them pause and say "oh, what?"
  • Have fun whenever the opportunity presents itself (b/c no one's paying me to do this shit).
  • Bail out and post a one-liner when I can't think of anything else to say (b/c no one's paying me to do this shit). (I'm actually really bad at holding myself to this one, maybe you've noticed.)
  • Try to avoid spoilers.

That last one is really chapping my hide right now, because it's almost wholly impossible to talk about the rest of this series without spoiling the end of The Thief.

So maybe it's time to bail out and post a one-liner? "I liked The Thief, but I loved these." That's always a bit unsatisfying, though.

How's this: I went into Queen expecting magical thief adventures, and got blindsided by a psychologically gruesome story about how far you can go to protect your country. By the time I started King, I had no idea anymore what I was getting into.

There's another book in this series I haven't read, and some unknown number still on the way. I'll probably read them all. Super solid, and a hell of a ride. A year later, I still feel incredibly gross about some of what went down here.

Daniel José Older — Shadowshaper

August 22, 2015

I was really hyped about this, and there were a lot of things I think it did really well, but on the whole it didn't quite do it for me.

Which is fine!!! Real talk: this is YA written for the younger end of that audience (~14-ish?), and it's not doing anything particularly fresh in plot or structure or prose. What IS fresh and important is that the heroine is a brown girl from a Spanish-speaking family, and the setting is a recognizably diverse New York City, and tbh that is more than enough to earn it the attention it's gotten plus some.

This is a perfectly serviceable middle-of-the-shelves modern fantasy, of the type I grew up identifying with. Everybody deserves to grow up with a pile of those, and this book is a salute to all the brown girls who got left out of the pile I was stuck with. End of review. Buy this book for a kid who needs it.

(So what didn't do it for me? It veered off-premise and went generic. The set-up was that Sierra can use her artwork to empower the spirits of the helpful dead, which is awesome. But she only used that power for like two or three things before she just achieved god mode [because she was born special] and charged in for victory, leaving the themes of art and building stuff completely behind. If the climax and denouement had been based around the [TOTALLY AWESOME] powers the book had set her up with, I think I would have liked it a lot more.)

Natsume Ono - La Quinta Camera (The Fifth Room) (comics)

Mar 22, 2016

Awwwww this was cute!! The non-adventures of four Italian roommates and their rotating foreign subletters.

Jack In

Jun. 9th, 2016 10:13 am
roadrunnertwice: Crow perched on a trail signpost. (Crow on signposts)

One of Kathleen’s housemates has an HTC Vive headset, so I got to try modern VR for the first time this weekend. IT WAS INCREDIBLE.

Well, actually I'm not sure if that counts as the first time, because Stan at work had one of those slot-your-phone-in Samsung headsets one day, and he showed us this little solar-system tour app. But that was a much more limited experience — a little bit laggy, lower resolution, fewer (and more awkward) tools for interacting. It felt like a really advanced educational slideshow. This was an entirely different thing: two controllers, full-body interaction (ducking, walking around within your li'l fence, picking things up and throwing them), and REALLY fast and smooth. It felt floaty, a little, but it also felt real.

This is a thing where we've had a really clear fictional picture of what it would be like for decades, and now it looks like the technology is finally here. This was pretty much exactly like one of the shitty "budget" VR sets from a novel like Snow Crash. That's amazing; I was amazed.

roadrunnertwice: Rebecca on treadmill. (Text: "She's a ROCKET SCIENTIST from the SOUTH POLE with FIFTY EXES?") (BitterGirl.Rebecca - Rocket scientist)

A few years back, some friends and acquaintances ran a podcast about lesbian romance novels called The LadyLike Book Club (delightful tagline: "Hello, lesbians and friends of lesbians"). It's dead for the time being, but I enjoyed it a lot — their enthusiasm is infectious even if you're not already invested in the genre, and they're all just very funny, charming people in general. If you do the podcast thing, their archives are totally worth a listen.

Anyway, I read a handful of the books they covered, so I figured I'd post them in a batch.

Oddly, these were the first category romance novels I'd ever read; I'd always meant to follow up on some of Candy's recommendations, but had never gotten around to it.

Books I Stopped Reading: Colette Moody — Parties in Congress

Dec 21, 2013

Episode link

I couldn't get past the prose and style — the dialogue was just wrong, and I couldn't deal. (The plot and setting had problems too, but if I'd been having more fun on a paragraph-to-paragraph level I could have gotten over those.)

Books I Stopped Reading: Alison Moon — Lunatic Fringe

May 2014

Episode link

This was another one where the prose just ejected me. Which was a bummer, because I was getting interested in the characters and plot! But it just wasn't fun to read.

But where Parties in Congress just clunked, this had a more depressing kind of badness: it was overwritten in that distinctive way where you can see the outline of a really tight novel through the haze. A committed editor could probably have improved this book 400% without breaking anything. Sadface.

K.E. Lane — And Playing the Role of Herself

June 15, 2013

Episode link

I don't actually remember a whole lot about this one, but I do remember enjoying it. There was a bizarre out-of-nowhere twist near the end that I wasn't into, but when it was just the characters interacting it was a lot of fun.

Rebecca S. Buck — The Locket and the Flintlock

July 5, 2013

Episode link

This was excellent! Just really well put-together. The conflicts made sense, there was intense chemistry between the leads, the historical texture was superb (I learned some things about the Luddites?!), and the prose was solid. Also, as they say repeatedly in the episode, this is the one that most closely fit the stereotypical model of a capital-R, capital-N ~Romance Novel:~ Regency England, elaborate costuming, dashing robbers, the whole shebang.

D. Jordan Redhawk — Broken Trails

Sept 16, 2013

Episode link

If you're going to read just one of these, this is the pick (although Locket is a very close runner-up).

There's a thing this book does, which made it really satisfying to read but which I'm having a hard time describing. (And especially describing in a way that doesn't sound awful.) Like, basically: the external conflict is that the protagonist signs up for the Iditarod (a nightmarish, icy ultramarathon with dogs), then spends a year training for it, then does it. But Redhawk does one of the best jobs I've seen at depicting routines in an enjoyable way, and using them to show the protagonist's gradual leveling-up (and occasional setbacks).

roadrunnertwice: Davesprite from Homestuck, Mr. Orange Creamsicles hisself (Homestuck - Davesprite)

Re-read: Rosemary Kirstein — The Lost Steersman (The Steerswoman, book 3)

Nov. 5

Ruth was reading the Steerswoman books while we were on vacation, and I was SUPER PUMPED to talk about them with her! And she finished this volume and made a sound I have never heard her make before, hahahahahahaha! Anyway, I had to immediately re-read it.

As much as I love The Language of Power, I have to admit book 3 is objectively the best. It's SUCH a tour-de-force, and ARRRGH, I can't even explain WHY without spoiling half the effect!

Well. If you read it and come find me later, I'll tell you what I really think about it. Until then, go buy the ebook reprints! They're all cheap as hell, and there's nothing else like them in science fiction right now. The state of the art has not caught up with Rosemary Kirstein.

Bonus Level: Shadowrun: Dragonfall

Oct 1

Halfway through playing this, I was overcome with a weird feeling of familiarity, and for a while I couldn't figure out why. I never played any of the original pen+paper or SNES/Genesis Shadowrun games... and yes, it's just Borderland But Also Cyberpunk: The Video Game, but this was an intense fuckin' sensation, not Hey, Rememember Thing.

Some days later, I got it: Dragonfall is actually the game I thought Final Fantasy VII was going to be, during the first eight hours or so before I left Midgard. The color palette and the moody Sector 7 style music are dead-on, which is probably why that familiar feeling was so intense, but also the gray morality, the omnipresent subway trains, the corporate sabotage, and the uneasy found family who don't necessarily have any reason to trust you.

OBVIOUSLY I FUCKING LOVED IT. I like tactical RPGs in general, and while this is deep in unfamiliar Western PC RPG Land (I grew up in Japanese Console RPG Land), the subconscious FF7 resemblance got me past the hump of figuring out how the systems work, and the gameplay was simplified enough that my poor console-weenie brain handled it just fine. (Once I turned off the single-click no-confirmation combat interface, WHY is that the default, whyyyy.)

Anyway, good times. I liked this a lot, and I bought the followup (Hong Kong) in the Thanksgiving Steam sale, so we'll see how that is.

Bonus Level: Undertale

Oct 11

This is the most ambitious deconstruction of the classic JRPG form I've ever seen. It mercilessly disassembles every mechanism the genre has at its disposal, and stitches them back together into an unnerving and revelatory and FUN emotional/intellectual tour-de-force.

And I'm not gonna say much more about it, because the game is constructed as a dialogue with your expectations and reflexes, and if you're a person who would enjoy it, the best thing a reviewer can do is get out of your way.

The music is amazing. The combat is incredibly fun, and consistently surprising and innovative. The plot is satisfying on so many levels it's hard to even know where to start. The writing is superb, funny and poignant and crushing by turns. This is possibly the best (and certainly the most interesting) game of 2015. If you care about the narrative potential of video games, scrounge up $10 and play Undertale.

William Gibson — The Peripheral (re-read) and Zero History (re-read)

Nov. 12, Nov. 16

I'm just going to let prior reviews stand, for these. They're still faves, which is why I re-read them on vacation in a foreign land.

William Gibson - All Tomorrow's Parties

Dec. 7

Idoru was kind of a mess, and this sequel was also kind of a mess. They're enjoyable! But the machinery of the story doesn't quite work right.

In the Bridge trilogy, I think Gibson was trying to be more rigorous and near-future with the inputs of his books, but he was also aiming for highly bizarre outputs, and I think maybe the intervening processes weren't up to the task, and in trying to smooth out and unify the whole, those outputs ended up mostly just incomprehensible and uninteresting.

It's funny to read these after reading the Bigend books and The Peripheral, because you can sort of see the learning process that made those later stories so much better.

roadrunnertwice: Weedmaster P: "SON OF A DICK. BALL COCKS. NO. FUCKING." (Overcompensating.WeedmasterP - Shitbox)

On the plane to Edinburgh I got to the bottom of a persistent "launchd is eating 90% CPU and IDEK why" problem, which is probably a first in recorded human history and which I feel pretty great about.

The deal was: Launchd freaked because I copied a user account's files from another computer, where that user had a different name. There were some service plists in ~worknick/Library/LaunchAgents (Spotify web helper, and something involving Steam) that were trying to run helper apps stored in ~nick/Library/Application Support, because "nick" was worknick's old name, but he already existed (and was a different person) on this computer, and worknick couldn't access those files!

For some dumb reason, launchd didn't have a cooldown between tries or anything, and was trying to restart these un-startable jobs many times a second. I edited the Spotify plist, killed the Steam one, took out a few old ones that weren't relevant anymore, then rebooted. SOLVED. Amaze. Now I've got something like quintuple the amount of battery life when the worknick user is logged in.

roadrunnertwice: Akira from _Galboy_ with roses bought on a whim. (Galboy.Akira - Unsteady romantic)
Hey friends! Happy Solstice, death to the Holly, et cetera, and I for one am ready for some Day Lengthening. I hope you're all making it through the dark ok, I hope the year has been ok in general, and I hope the rest of it and the year to come treat you kindly. (And to anyone who needs it, I wish you fortitude for the holidays. I know it can be a trial sometimes.)

On my end, this has been a very good year. Due in large part to Ruth! Being in her life is a delight and her influence makes me a better me, and also I've probably had more adventures this year than in the previous three combined. Speaking of which, that's what's up with the early New Year's post, here: I'm going to be in Edinburgh and then Belfast with her, and will probably be mostly offline. (Well, night-tweeting in the deep Eurosphere, at most.)

As for next year: It's a big pile of things that are scary but really exciting, and a smaller pile of things that are just plain scary. I'm pretty sure I can handle both piles. Wish me luck, and I'll wish you some.

Anyway! It's kind of insubstantial for a Christmas present, but I figured I'd share this latest mix tape with you. It's short and asymmetrical, it's called "Every Devil As She Pleases," and it's about feeling sorry for yourself but nutting up and setting things right anyway. (I was trying to make a sequel to "Shinier & 1000⨉ Harder," but it insisted on becoming something else.)

  1. Plane — Gauze
  2. The Kills — What New York Used To Be
  3. Sondre Lerche — Face the Blood
  4. Metric — Gimme Sympathy
  5. Miike Snow — Paddling Out
  6. Tegan and Sara — The Ocean
  7. Green Day — F.O.D.
  8. Nedelle — Fanfare
  9. Jesca Hoop — Born To
  10. Lorde — 400 Lux

Halation blears the freeway signs,
And holy blood turns back to wine.
What each man catches, time releases
—Let every devil go as she pleases.


Full download (every_devil.zip)

roadrunnertwice: Davesprite from Homestuck, Mr. Orange Creamsicles hisself (Homestuck - Davesprite)

Joan Opyr — Shaken and Stirred

July 16

Okay, I picked this up at the Title Wave on spec because the cover was kind of unbelievable. Somehow, and for some reason, the publisher (a small-timer out of Michigan focused on contemporary lesbian fiction) had gotten the printer to cover it with, uh... I don't know the proper term for it, but, alpine flower guide / field first-aid manual cover stock. The really plasticky, resilient stuff with a grid of little nubbins on it to give it a more matte feel except they're too big for matte so it just feels like plastic with a grid of nubbins? Y... you know??? Okay, I'm gonna just assume you know — who the hell puts that shit on a novel?! I HAD TO FIND OUT.

Well, it turned out to be a pretty good read. I give it three-ish stars, because I feel like the ending didn't really come together, but I enjoyed the middle of the book quite a bit. A witty and wistful story about a gal going home to bury her shitheel grandpa, which closes with a romance ending that really could have used some additional reinforcement.

Jillian Tamaki — SuperMutant Magic Academy

July 19. Comics.

This ruled, go get it.

I was mildly bummed that I hadn't known about Tamaki's webcomic until it was done, but also excited about getting a big airdrop of cool stuff all at once.

The tone is very different from her novelistic work. It's insistently a comedy, but it veers between comedic modes very fluidly. The Everlasting Boy interludes tend toward this violent, gonzo physical/metaphysical absurdity; the stuff with the core cast (Marsha, Wendy, Gemma, Frances, Cheddar) moves in and out of Peanuts-esque wry melancholy, situational gags, Gunshow-esque left turns, and more. The out-of-continuity strips with one-off characters are... I dunno what you'd even call this, but I love it.

My original plan for this review was to close with a gag about The Magicians, but I couldn't quite make it work, so never mind.

Hugo Pratt — Corto Maltese: The Ballad of the Salt Sea

Aug 22 (comics)

So, Corto Maltese is this ancient Eurocomics property, which my memory is a little hazy on the details of; I think he outlived his maker like a louche, chain-smoking Mickey Mouse and you still get new animated features dropping once in a while, but I'm not positive.

I think this book was his first outing, and damn it shows. It's rough as hell, it wanders all over the place, it insistently refuses to cohere. It was only translated recently, and as far as I can tell the English availability of the rest of the comics is spotty at best.

Anyway, this volume included way more than its fair share of high colonialist bullshit, and the story's not solid enough that I could recommend it to anyone. I'd be interested to see a later adventure and find out how much it improves, because god damn is Corto himself enjoyable to look at. What a fuckin beautiful character design.

Paul Pope, JT Petty, and David Rubin — The Rise of Aurora West

August 22. Comics.

This was weird and intriguing. I'm not entirely sure it's for me, but... there's something in there that I can't let go of.

Jeff Vandermeer - Annihilation, Authority, and Acceptance (the Southern Reach trilogy)

Aug 24, 25, 26

This was creepy as hell and I enjoyed it a lot. More to the point, it managed to achieve a satisfying resolution without ruining the mysteries and incomprehensibilities that drive the story, which is what I always worry about when getting into this sort of thing. (I get paranoid whenever I catch a whiff of that old Lost scent, you know?)

Top-notch weird horror. If you're into this sort of thing at all, this is the real deal.

Bonus Level: Final Fantasy Tactics: The War of the Lions

Aug. something (video game; ipad version)

An old favorite of mine from back in the Playstation 1 days; it was remastered and retranslated for the PSP some years back, and they later ported that port to iOS.

Back in the ’90s, FFT was notorious for its shit translation; it was arguably the pinnacle of a certain form of incomprehensible Engrish in video games. If you never experienced it for yourself, it's worth checking out some of the greatest hits of dialogue from that monster, just to see how far we've come.

But by the end of the PS1 era, at least some parts of Square had corrected course, because Vagrant Story was pretty much the high-water mark of ja->en translations for that whole console generation. They were aiming for this sort of retro-Elizabethan gruffness, vaguely Shakespearean diction but with the sub-frame lopped off and the tailpipes wrapped in insulating tape, and — improbably — it worked great. So when it came time to rehabilitate FFT, the translators turned to Vagrant Story and its late-PS2-era successor Final Fantasy XII for guidance.

And the result is excellent. I actually kind of respect this game for its story, now!

The original script was functional (albeit comical) for its first three chapters, but chapter four was basically unreadable; I don't think I knew anyone who really understood what was going on with the Zodiac Braves, Saint Ajora, or even the late-stage political machinations.

But now that the incidental confusion has been brushed away, the remaining confusion improves the story. I originally thought there was supposed to be a single Church cover-up about Ajora and the braves, but in the new translation, it's clear that there have been multiple revisions of history, every one of them performed in ignorance of some incredibly crucial information lost in the last pass. The result is that history in Ivalice is complete garbage by now, and even people who think they've found the master key to the real truth have no idea what's going on. The (allegedly bombshell) secret scriptures Simon gives to Ramza seem to imply the opposite of what you're actually encountering, and even the Lucavi seem confused about some of what the Auracite can do.

I like that a lot better than my original interpretation of what was happening. It casts the Church in a much more interesting light, and it adds a certain melancholy to the proceedings; even whoever recovers the Durai papers won't be able to figure out what the hell Ramza and company were actually up to, much less whatever the fuck went down back in the airship era.

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If you pass the rabid child, say "hammer down" for me.

The Fell Types are digitally reproduced by Igino Marini.

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