Static and Noise
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- 1: There is also a secret truth in here about writing technical documentation, if you're looking for it
- 2: RIP Halla
- 3: More Shooting Upward: Blue Revolver
- 4: Friday night is bookpost night
- 5: An analogy occurred to me the other day.
- 6: The case of the default thread pool heuristic
- 7: Games and comics: Many Fingers, Octopus Pie, Don't Go Without Me, and Sylvie
- 8: (no subject)
- 9: You Know What I Read Last Summer
- 10: The rewrite is live!
Wet Paint
- Style: Scratch the Surface 🐾 for Cutting Corners by
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Date: 2011-01-18 01:39 pm (UTC)The conditional-tense scene is technically a flash-forward; what makes it conditional is that the flash-forward is never explicitly sited in the film's timeline; we never see a scene or a hint of a scene from it when it's "actually" happening. We see in the confrontation that he's gonna lose, and then we cut to him dejected in the lockerroom. Brill.
The thing about it that never stops blowing me away is the first 20 minutes, where in the course of a race we're shown how the races work, how physics works (here), backstory highlights for all our main characters and the plot, and all told through the bewildering variety of wipes and overlaps and timeshifts that make up the grammar of the film: in short, we're explicitly taught how to watch this film and they make it all look so effortless.