roadrunnertwice: Me looking up at the camera, wearing big headphones and a striped shirt. (Viva! La Revolution!)
So I picked up Charles Stross's The Family Trade at the library, and was soundly disappointed. I dug the hell out of Accelerando and the first two Laundry stories, but this one (the only fantasy work of his I've read) pretty much failed to do it for me.

Basically, I blame it on the characters. They're all quite dull, and I didn't care much for the way they talk. (Stross's mode of dialogue works much better in SF and spy-horror, I think. If there are computer dorks taking part in any given conversation, it becomes quite plausible; between two non-technical people, it gets a little strained.) And people kept doing things seemingly because the story told them to — I actually found myself skipping past a sex scene because I just didn't buy it. First time in a while that's happened.

What else...? The world-switching mechanic (reality-tearing petit-mal seizure triggered by a specific visual interference pattern; results in splitting headache on the other side, which can be mitigated with beta-blockers) was sort of interesting, as was following through and recognizing that, yes, of course people are going to use this sort of thing for drug-running. So the worldbuilding was decent, but not nearly good enough to carry a whole book.

Verdict: Didn't finish it, won't check out the rest of the series. But I will read The Jennifer Morgue, because Bob Howard is the shit.

Book report

Sep. 5th, 2006 12:35 am
roadrunnertwice: Me looking up at the camera, wearing big headphones and a striped shirt. (Viva! La Revolution!)
I was IM-ing with Jae, and found myself excitedly recommending this Raphael Carter story from Starlight 2. I mean, no surprise, it's fucking awesome. But I read it, like, months ago, and it was clearly still on my mind. Anyway, I decided I should go ahead and write an Amazon review for the anthology it came in, just to stay in practice. The book costs like $25 and isn't all that big, but it rules, so go get it at the library or something.

Aggressively great [five/five stars]



If I'm remembering right, I grabbed Starlight 2 at the library out of a desire to see what Susanna Clarke was up to pre-Jonathan Strange. (And also because I read the editor's blog. I can't remember which of those two was the main motivator, but they're probably both solid reasons to snag a book.)

Clarke's piece, surprisingly, ended up being one of the least fascinating bits in the bunch. (I mean, it was good, but Clarke really shines brightest when she has time to build up a cumulative metatextual effect, and I suspect her skill at characterization is similarly reliant on long forms. The price of a novelistic mode, I suppose. This story ("Mrs Mabb") is basically an outtake footnote from JS&MN, and I was left waiting in vain for the wry zoom-back effect that would make some witty point about the pitiable state of 18th century magical scholarship. Anyway, don't mind me; judging a 1998 short story by the standards of a 2004 masterwork is probably some massive breach of etiquette.) Nearly everything in the book drips with mind-bending ideas, energetic plot, fascinating and sympathetic characters, sparkling prose, or some or another unholy combination of the above. This is smart, heartfelt, brilliantly-executed SF.

Of special note are:

Raphael Carter's "Congenital Agenesis of Gender Ideation," which is less "science fiction" and more "peer-reviewed journal-published neurological genderfuck mystery story." Carter combines the muscular, dense, wry, and in-jokey writing of a really good scholarly article with a genuinely gripping medical/forensic/scientific mystery, and cleverly raises the stakes by turning the phenomenon his characters are chasing into a threat to the reader's own self-knowledge.

Ursula K. Le Guin's translation of AngΓ©lica Gorodischer's "The End of a Dynasty," which, comically hostile narrator aside, is simply a damned good yarn.

Ted Chiang's "Story of Your Life," after which I couldn't decide whether to boggle at the linguistic, philosophical, and temporal ramifications of the described alien contact, or just shut the hell up and cry.

The compo isn't totally free of duds--Jonathan Lethem's "Access Fantasy" and Martha Soukup's "The House of Expectations" both failed to grab me--but it DOES contain a really shocking amount of awesome. Check it out.

EDIT: Also, iTunes, via completely random Party Shuffling, just played a recording of Going to Kirby Sexton in which John hollers, "Uh... Going to Bridlington!" at the end, and chose to immediately follow it with--you got it--Going to Bridlington. My life is complete.